On June 16, 2020, Art Basel 2022 officially opened to the public, and it remains on view till June 19. More than 200 galleries and over 4,000 artists from five continents participated in this international art feast. With Basel as the center, many high-quality exhibitions will be held simultaneously during the art fair to jointly create a regional art week.

2022年6月16日，巴塞尔艺术展正式面向公众开放，展期至6月19日。在这场国际艺术盛宴中，来自全球五大洲的200余家画廊以及4000余名艺术家参与其中。以巴塞尔为中心，众多高质量展览活动将会在展会期间同时举行，共同打造区域性艺术周。

As early as February this year, Art Basel has announced line-up of 289 of the world’s leading galleries for the 2022 edition in Basel to present artworks across diversified media including oil painting, sculpture, photography and digital works by artists ranging from early 20th-century Modern pioneers to cutting-edge contemporary practitioners. As far as the participating galleries are concerned, 19 galleries have joined the show for the first time, including two Africa galleries. It is reported that in recognition of the changing gallery landscape, the exhibitor application requirements were relaxed by the Basel Selection Committee, which were first introduced for the 2021 edition of the show in Miami Beach, to allow a broader range of International art galleries to participate in, thus enriching the diversity of the art fair.

早在今年2月份，巴塞尔艺术展官方就公布了本年度巴塞尔艺术展的参展阵容：来自国际顶尖的289家艺术画廊将带来20世纪早期现代艺术先驱及当代前沿艺术家的作品，包括油画、雕塑、摄影及数码作品等多种媒介。就本届参展展商而言，共19家艺廊（含2家非洲画廊）首次参展。据悉，为适应艺廊景观变化，今年巴塞尔艺术展评选委员会放宽了参展申请要求，本次修订延续了去年迈阿密海滩巴塞尔艺术展首次作出的调整，以期全球各地艺廊能更广泛地参与进来，呈现更多元的展会面貌。

2022巴塞尔艺术展现场

Art Basel in Basel 2022, Courtesy Art Basel.

Earlier this year, Marc Spiegle, the global director of Art Basel, claimed his expectation in a statement to the first June show of Art Basel since 2019. In this year, it is glad to see the return of many international galleries that were not able to participate due to the impact of the pandemic last year, forming such a strong exhibitor line-up of this edition. While the quality and breadth of material are comparable to previous years, Spiegle stated that in terms of the galleries participating, it is more diverse than ever before.

此前，巴塞尔艺术展全球总监马克·斯皮格勒在声明中对自2019年后首次回归六月举办的巴塞尔艺术展表示期待，许多在去年受到疫情影响而未能参展的艺廊都在今年回归，构成了本年度强大的参展阵容。尽管在作品质量与媒材广度上与往年不相上下，但就参展画廊的情况而言，却呈现出比以往任何时候都要多样的态势。

2022巴塞尔艺术展“城市之旅”展区，阿丽佳·柯维德作品，图片致谢巴塞尔艺术展

Alicja Kwade, Koenig Galerie. Courtesy Art Basel

2022巴塞尔艺术展“城市之旅”展区，Puppies Puppies作品，图片致谢巴塞尔艺术展

Puppies Puppies (Jade Guanaro Kuriki-Olivo)

Balice Hertling, Francesca Pia, Barbara Weiss, Hannah Hoffman Gallery. Courtesy Art Basel

Regarding the specific contents of Art Basel 2022, the main sector “Galleries” features 234 of the world’s leading galleries, concentratedly showcasing multiple contemporary artworks. The “Feature” sector brings together 24 curatorial projects with 8 galleries participating for the first time. “Statements” sector is dedicated to emerging artists across the world, presenting 18 solo presentations in total. The “Edition” sector concerns the field of prints and editorial works, showcasing 11 projects collaborated by art publishers and artists. As a unique platform of Art Basel, the “Unlimited” sector is curated by Giovanni Carmine, Director of the Kunst Halle Sankt Gallen, bringing together 70 creative projects which break the boundaries between different booths. In addition, the “Unlimited Night” was held for the first time in this year.  At the same time, other sectors such as “Parcours”, “Film”, “Conversations”, and “Exhibitions in Basel” all contributed to realizing interesting and intimate interaction and connection between art, the city, and the public.

具体看来，此次巴塞尔艺术展主展区“艺廊荟萃”集中呈现了234间画廊带来的系列当代艺术创作，“策展专题”则以24个策展项目为特色，其中有8间画廊将首次参与其中。“艺创宣言”展区致力于推广来自全世界的新晋艺术家，共呈现18个独立项目。“限量编制”展区则关注到艺术出版与限量作品领域，共呈现11家艺文出版商展示与艺术家共同创作的项目。作为巴塞尔艺术展的独特平台，本年度“意象无限”展区由圣加仑美术馆总监乔瓦尼·卡迈策展，共有70个打破固有展位界限的创作项目参与其中，同时，“意象无限之夜”在今年首次呈现。此外，“城市之旅”、“光映现场”、“与巴塞尔艺术展对话”以及巴塞尔市内顶尖博物馆呈现的系列展览，都让艺术、城市与公众间产生了更有趣而紧密的互动与关联。

2022巴塞尔艺术展“艺创宣言”展区，王拓作品《第二次审问》现场，图片致谢空白空间。

Wang Tuo, The Second Interrogation, Two-channel video installation (color, sound, 4k), 24’28”, 2022. Courtesy WHITE SPACE.

Since the outbreak of the pandemic, the pandemic prevention measures and travel requirements of various countries have been in a state of change. In this context, the linkage between the digital platforms and the physical space of art exhibitions has shown an inevitable trend around the world. In the Art Basel this year, besides the offline art exhibitions and events, Art Basel Live amplifies onsite presentation to ensure the visiting opportunity and experience of those audiences who cannot reach the physical show, including the Online Viewing Room (OVR) and diversified social media broadcasts.

自疫情以来，各个国家防疫措施与出行要求一直处在变化的状态之中，艺术展览的“线上”与“线下”的联动已经在世界范围内呈现必然趋势。本届巴塞尔艺术展除在线下系列展览与艺术活动的筹划呈现外, “巴塞尔艺术展：现场”还在6月15日至19日期间同步开放线上展厅，并积极调动社交媒体平台，确保不能亲身造访展览现场的观众们也能通过线上观展通道进行体验。

According to the reports by The New York Times, since 2019, Art Basel, which is usually held in Switzerland every June, has welcomed its first full-scale and in-person art fair. Although the global ecology is facing many difficulties such as raging wars, falling stock prices, inflation, and the collapsing of the crypto economy, judging from the sales at Art Basel this moment, it does not show signs of downturn. Art Basel 2022 saw numerous big-ticket items sell, including the large-scale sculpture “Spider” by Louise Bourgeois.

据《纽约时报》报道称，自2019年之后，按惯例于每年6月在瑞士举办的巴塞尔艺术展首次迎来了完整的、面对面的线下展会。尽管全球生态面临着战争肆虐、股价下跌、通货膨胀、加密经济的崩溃等诸多困境，但从此刻巴塞尔艺术展的销售情况来看，却并未显示出低迷的迹象，包括路易斯·布尔茹瓦的《蜘蛛》在内的多宗大型艺术作品也在本届巴塞尔艺术展上见证了历史最佳销售成绩。

Selected Booths｜“艺廊荟萃”精选

Hauser & Wirth’s booth at Art Basel 2022, featuring Louise Bourgeois’s Spider from 1996. Photographer by Jon Etter, Courtesy the artists estates and Hauser & Wirth

豪瑟沃斯画廊展位在2022年巴塞尔艺术展上展出路易丝·布尔茹瓦（或译为布尔乔亚）的标志性作品《蜘蛛》（1996）。摄影：Jon Etter 图片致谢豪瑟沃斯画廊。

On the first preview day, Hauser & Wirth sold the iconic steel Spider (1996) by French-American artist Louise Bourgeois for 40 million USD, which was a record sale in her history. “Louise Bourgeois spanned the 20th and 21st centuries, possessed a fiercely independent spirit in her life and work that defied simple categorization, and she changed the game not only for women artists but for art itself. She continues to exert enormous influence in the most positive way, and we felt this was an important moment to spotlight that power,” says Marc Payot, President of Hauser & Wirth.

在2022年巴塞尔艺术展（瑞士巴塞尔）的预览首日，豪瑟沃斯画廊就以 4000 万美元的价格售出了法裔美国艺术家路易丝·布尔茹瓦（或译为布尔乔亚）的标志性作品《蜘蛛》（1996）并刷新了该艺术家的历史拍卖纪录。豪瑟沃斯画廊总裁马克·佩约表示：“路易丝·布尔茹瓦跨越了20世纪和21世纪，她在生活和工作中拥有一种非常独立的精神，这种精神无法被简单地归类，她不仅改变了女性艺术家的游戏规则，也改变了艺术本身。她继续以最积极的方式发挥着巨大的影响力，我们认为现在是彰显这种力量的重要时刻。”

Marian Goodman Gallery’s booth at Art Basel 2022, Courtesy Art Basel, Background: Gerhard Richter, 930-2 STRIP (2013). Digital print on paper mounted between Alu Dibond and Perspex (Diasec). 200 x 1,000 cm.

玛丽安·古德曼画廊展位在2022年巴塞尔艺术展的展览现场, 图片致谢巴塞尔艺术展, 背景作品: 格哈德·里希特，《930-2 STRIP》（2013）

Marian Goodman Gallery has participated in Art Basel Switzerland since its inception, and this year they show the full breadth of its program including works by the gallery's first artist, Marcel Broodthaers, alongside the newest addition to the programme, Tavares Strachan. The 11-metre 930-2 STRIP (2013) by Gerhard Richter is one of the largest works presented by Marian Goodman Gallery at the fair, which belongs to a series of works where Richter brings painting into the digital world.

玛丽安·古德曼画廊自成立以来一直参与瑞士巴塞尔艺术展，今年该画廊展示了代理的全部艺术家，包括画廊代理的第一位艺术家马塞尔·布达埃尔的作品，以及最新加入的艺术家塔瓦雷斯·斯特拉坎的作品。玛丽安·古德曼画廊在巴塞尔艺术展上还呈现了格哈德·里希特的11米长的作品《930-2 STRIP》（2013），该作品也是巴塞尔艺术展中最大型的绘画作品之一，标志着里希特将绘画带入数字世界的系列创作。

Cardi Gallery’s Booth at Art Basel 2022, Courtesy Ocula. Photo: Charlie Hui.

卡迪画廊展位在2022年巴塞尔艺术展的展览现场，图片致谢Ocula,图片拍摄：Charlie Hui。

Cardi Gallery, Milan presents Untitled (1998) by Jannis Kounellis for Art Basel 2022, which is a monumental example of the Arte Povera artist’s wall reliefs, reflecting a poetic reflection on industrial materials.

米兰的卡迪画廊为2022年巴塞尔艺术展带来了库奈里斯的《无题》（1998），该作品是这位“贫穷艺术”大师墙壁浮雕创作的不朽范例，反应了对工业材料的诗意反思。

Kate MacGarry’s booth at Art Basel 2022, Courtesy Art Basel.

凯特·麦加里画廊在2022年巴塞尔艺术展的展览现场，图片致谢巴塞尔艺术展。

Kate MacGarry from London presents works by four women artists, among which Goshka Macuga's new tapestry Who Gave Us a Sponge to Erase the Horizon? (2022) is the third in her series of 3D tapestries that respond to environmental and political issues.

来自伦敦的凯特·麦加里画廊展示了四位女性艺术家的作品，其中戈什卡·马库加的新挂毯作品《谁给了我们一块海绵来抹去地平线？》（2022）是她响应环境和政治问题创作的3D挂毯系列中的第三幅。.

Alberto Giacometti, Figurine, Bronze, 10.7 x 3.4 x 4.2 cm, Edition 2 of 8, 1969。Photo by NEL-OLIVIA WAGA

阿尔贝托·贾科梅蒂，《雕像》，青铜，10.7 x 3.4 x 4.2 厘米，第 2 版，共 8 版，1969 年。图片拍摄：NEL-OLIVIA WAGA。

Swiss sculptor Alberto Giacometti (1901-1966) needs no more introduction in the art world. Figurine, a miniature version of his famous sculptures, is exhibited by Gallery Kamel Mennour at Art Basel 2022.

瑞士雕塑家阿尔贝托·贾科梅蒂（1901-1966）是一个在艺术界无需赘述介绍的存在。他著名的作品之一《雕像》的微型版本由卡梅尔·门努尔画廊在2022年巴塞尔艺术展“艺廊荟萃”单元展出。

carlier | gebauer’s booth at Art Basel 2022, Courtesy Art Basel.

卡利耶|格鲍尔画廊在2022年巴塞尔艺术展的展览现场，图片致谢巴塞尔艺术展。

As for the visual attraction, carlier | gebauer offers an experience that can’t be beat. Asta Gröting’s giant polyurethane lilypads brings a refreshing look at the entrance. The center of the show, are the works by Turner Prize winner Laure Prouvost. This Means (2019) shows her light-hearted side with a glass fountain that’s part octopus, part bosom, spouts water in the center, while on an adjoining wall, a octopod floats across the surface of a pastel-hued oil painting.

就视觉吸引力而言，卡利耶|格鲍尔画廊提供了无与伦比的体验。阿斯塔·格罗廷的巨型聚氨酯睡莲在入口处呈现了清新的外观。展台的中心是特纳奖得主劳尔·普罗沃斯特的作品。《这意味着》（2019）展示了她轻松的一面，玻璃喷泉的顶端由女性胸部和章鱼组成，而在相邻的墙上，一只章鱼漂浮在柔和色调油画的画面中。

Vitamin Creative Space’s booth at Art Basel 2022, Courtesy Art Basel.

维他命艺术空间展位，图片致谢巴塞尔艺术展。

In his installation at Vitamin Creative Space’s booth, ARKEN Art Prize–winning artist Danh Vō brings together his longstanding work dealing with colonialism and his family’s history with his more recently embraced lifestyle.

由维他命艺术空间呈现，丹麦Arken艺术奖获得者越南裔艺术家傅丹在2022年巴塞尔艺术展上带来了从他个人生命体验出发，探讨殖民主义、家族历史以及更为近期关于生活方式和人类生存方面的装置作品。

The Best of Unlimited｜“意象无限”展区精选

Folkert de Jong, The Shooting….1st of July (2006). Courtesy Sofie Van de Velde.

福柯尔特·德·容，《射击……7月1日》（2006），图片致谢苏菲·范德·维尔德画廊。

Huang Yong Ping, American Kitchen and Chinese Cockroaches (2019). Courtesy Kamel Mennour.

黄永砯，《美国厨房和中国的蟑螂》（2019），图片致谢卡迈勒·梅隆赫画廊。

Andrea Zittel, A-Z Personal Uniforms, 2nd Decade: Fall Winter 2003–Spring/Summer 2013. Courtesy Regen Projects.

安德莉亚·泽塔尔, 《A-Z个人制服，第二个十年：2003秋/冬–2013春/夏》，图片致谢睿阁画廊。

Liu Wei, Dimension (2021). Courtesy Art Basel.

刘韡,《尺寸》（2021），图片致谢巴塞尔艺术展。

Kennedy Yanko, By Means Other Than the Known Senses (2022). Courtesy Vielmetter Los Angeles.

肯尼迪·扬科，《通过已知感官之外的形式》（2022），图片致谢洛杉矶维尔梅特画廊。

Isabella Ducrot, Omaggio a Mishima (Homage to Mishima) (2016). Courtesy Galerie Gisela Capitain.

伊莎贝拉·杜克洛，《向三岛致敬》（2016），图片致谢吉塞拉船长画廊。

A work by Leonardo Drew at Art Basel Unlimited, Courtesy Goodman Gallery.

莱昂纳多·德鲁在巴塞尔艺术展“意象无限”展览现场，图片致谢古德曼画廊。

Jim Shaw, Not Since Superman Died (2014). Photo by Dorian Batycka.

吉姆·肖，《从超人死后以来》（2014），图片拍摄：Dorian Batycka。

Antonio Molinero, Sans Titre (Vivasse) (2022). Courtesy Galerie Christophe Gaillard.

安东尼奥·莫利内罗，《无题》（2022），图片致谢克里斯托夫·盖拉德画廊。

👇 

Scan the QR code or Click "Read More" at the end of this page to browse the OVR｜2022巴塞尔艺术展线上展厅传送门，或点击文末“阅读原文”：

https://artbasel.com/ovr/show

艺讯网综合报道，致谢巴塞尔艺术展官方及相关媒体报道

News Roundup on Art Basel 2022 by CAFA ART INFO. Edited by Sue & Emily

资料来源：

1. 巴塞尔艺术展官方网站：https://www.artbasel.com；

2. Forbes: The Best Of Art Basel 2022

https://www.forbes.com/sites/neloliviawaga/2022/06/16/the-best-of-art-basel-2022/?sh=33b8969b7c1f

3. Bloomberg: At Art Basel, Sales Boom Even as Economic Woes Loom https://www.bloomberg.com/news/articles/2022-06-15/at-swiss-art-basel-sales-boom-in-face-of-global-economic-woes

4. Ocula: Art Basel in Basel 2022: Seven Sublime Booths

https://ocula.com/magazine/art-news/art-basel-in-basel-2022-seven-sublime-booths/

5. Artnet: In Pictures: See the Best of Art Basel Unlimited 2022, From a Painting Made of Hardware-Store Finds to a Shipping Container-Turned-Sculpture

https://news.artnet.com/market/in-pictures-see-the-best-of-art-basel-unlimited-2022-from-a-painting-made-of-hardware-store-finds-to-a-shipping-container-turned-sculpture-2129414

6. The New York Times: Sales at Art Basel Fair Don’t Show Signs of Downturn

https://www.nytimes.com/2022/06/16/arts/design/art-basel-fair-sales-louise-bourgeois.html

最新国际月刊已出

订阅请留言

版权声明：所有发表于“中央美术学院艺术资讯网CAFA ART INFO” 中英文版(http://www.cafa.com.cn) 及所属微信公众号“中央美院艺讯网”的内容均应受到国际版权条例的保护，未经授权不得擅自转载使用。

如需申请获得合作授权和内容转载许可，可后台留言“转载”，查看细则并留言联系，或邮件联系editor@cafa.edu.cn(中文)/artinfo@cafa.edu.cn (英文)。获得授权使用的转载，并注明“来源：中央美院艺讯网／CAFA ART INFO)。未经许可不得擅自转载或摘录编改文字和图片，违者本网将依法追究责任。

Copyright notice 

© CAFA ART INFO, 2020. All Rights Reserved. 

All of the information in the various pages of CAFA ART INFO web site and WeChat is issued by CAFA ART INFO (http://www.cafa.com.cn) for public distribution. It is protected under international conventions and under national laws on copyright. For application of cooperative authorization and reproduction permission, please contact editor@cafa.edu.cn(CN)/artinfo@cafa.edu.cn(EN). Any use of information in the web site or WeChat updates should be accompanied by an acknowledgement of CAFA ART INFO as the source, citing the uniform resource locator (URL) of the article. Unlawful copying and re-using parts of our copyright protected texts and images will result in legal action.